The Dreispitz site is marked by its typical ribbon structure, which largely emerged from its transitory function. Long buildings for goods storage stand between access roads and railway tracks. The new location for the Kunsthaus Baselland is situated in the middle of these typical linear buildings, where a former warehouse for champagne is available for its new use. The concept is based on the idea of integrally preserving the old warehouse and creating a harmonious relationship with a built-in spatial structure.
Three prismatic light towers, fitted between the existing steel structure, organize the exhibition area. The towers guide zenithal light into the hall. At the same time the towers create a significant long-distance effect and make the building visible from afar. The meandering exposed-concrete insertion turns the open-plan hall into a differentiated configuration of rooms with varying formats and heights. Incisions in the vertical volumes provide natural light pulses and create sight lines between the different exhibition levels. The entrance hall, which can be entered from both sides, serves as a public foyer and can be freely used as a multifunctional area.
Typical characteristic elements from the earlier warehouse, such as the ramp pedestals, the steel skeleton structure and the filigree roof truss act as conceptual and atmospheric elements to think the site’s history further and intertwine it with the new use.
The new structural volume is poured in in-situ concrete, in between the existing structure and anchored in the existing building pedestal via the three base points of the towers. The ceiling-high frame of the upper story structurally acts as a large girder in the central space, supporting and relieving the filigree truss structure.
- Location Dreispitz Münchenstein, Switzerland
- Client Stiftung Kunsthaus Baselland
- Competition 2014-2015, 1st prize
- Planning 2015, 2020
- Realization 2021–2024
- Architecture Buchner Bründler Architekten
- General planner Consortium Buchner Bründler Architekten with Proplaning AG
- Building engineering ZPF Ingenieure AG
- Partners Daniel Buchner, Andreas Bründler
- Associate, competition Raphaela Schacher
- Associate, planning and realization Bülend Yigin
- Project lead, planning Daniel Ebertshäuser, Simone Braendle
- Project lead, realization Fabienne Saladin
- Staff competition Jon Garbizu Etxaide, Luise Daut
- Staff planning Benjamin Hofmann, Antonia Haffner
- Staff realization Leandro Villalba
- Photography Maris Mezulis, Rory Gardiner
- Film Dirk Koy
- Opening Exhibition <Rewilding>, 2024 02: Tony Cokes in collaboration with MOS Architects NYC, <Design.Sociality.Space> (4 Studies 4 A Club), 2024.
- 04: Naama Tsabar, <Melodies of Certain Damage series>.
- 07: Renate Buser, Switchback, 2024, Analoge Fotografie, digitalisiert Print auf Bodenfolie, ca. 1000 × 1000 cm.
- 09: Gerda Steiner & Jörg Lenzlinger, <Altar für das Prekäre>, 2024.
- 13: Leonor Serrano Rivas, <RhythmPatterns Nº1> (tapestry, 2024), <Carcase Nº2, Nº4, Nº5> (sculpture, 2024), and <I Leave Profundity to You> (installation, 2024).
- 14: Daniela Keiser, <Ader>, 2024 Leonor Serrano Rivas, Installation view of her artwork.